MJ: No Shot at Redemption
It’s the great American pastime: Build up our heroes and pop icons and then dismantle them limb by limb. If enough time passes after their fall from grace, the humiliated eventually have a shot at redemption (see Marv Albert, Woody Allen, Richard Nixon, etc). Because when it comes to the powerful and famous, we have short memories and a forgiving nature. Michael Jackson, however, goes to the grave minus that chance. And it was MJ’s inability to talk his way back into our good graces that ultimately cemented his moniker of “Wacko Jacko.”
He didn’t speak often in public, but when he did (like with Ed Bradley of 60 Minutes) he didn’t do himself any favors. On camera he seemed frail in every way: his psyche, his feelings, his body and his grasp on reality. The combination of global uber-fame and a tragic childhood under the stern rule of an allegedly abusive father, drove Jackson into his own quirky, bizarre reality that made him seem galaxies away from our perception of normalcy. We should have felt pity for him. Instead we were incredulous as to how such a cute talented kid could turn out so weird.
Watching Michael Jackson speak was like watching a child express himself from inside the body of a grown man. His death at 50, as shocking as it first seemed, now makes sense in a strange way. It’s as if that child, restricted from maturing and developing, had no other option than to wither and die. He passes before the statute of limitations could expire on our collective scorn over the child molestation charges. And expire they would have. Jackson would have perhaps reinvented himself in Las Vegas and maybe performed his way back into the public’s embrace. The media would have welcomed the opportunity to run with the story of Michael Jackson’s new lease on life. Instead, his obit runs in the morning papers.