Midway through the Democratic National Convention, conventional wisdom maintained that there just wasn’t an awful lot of sizzle to the thing. In fact after Monday night, it seemed downright vegetarian, with with hardly a speck of, what the politicos like to call “red meat,” in sight.
But in the Mile High City, the Democrats clearly opted for a gradual climb to cruising altitude, culminating with an acceptance speech Thursday night from Barrack Obama that virtually broke the political sound barrier. It soared higher and flew faster than all that preceded it - a harmonious blend of expert craftsmanship in its drafting and a dynamic delivery. Not since John Elway quaterbacked the Denver Broncos to championships on that very same field, had Americans witnessed such a clutch performance in that setting. From a sheer speech making perspective, here’s why it was so good:
- Like an expert driver, Obama understands that you can’t be in overdrive the whole time. This is an orator who utilizes all of his speaking gears, downshifting to a quieter, more thoughtful pace when empathizing with the struggles of average Americans, and then giving it the gas when going after John McCain. It’s the variety of moods Obama shows you that helps keep the listeners watching the podium and not their watches.
- The worst thing a speechmaker can do is play it safe. Great speeches always involve good calculated risks. Taking it outdoors onto a grander stage before 80,000 people was certainly the first big roll of the dice. But when Obama tackled three thorny social issues: Abortion, Gun Control and Gay Rights he also displayed an air of courage that sent a message that he’s playing this game to win, not playing it not to lose.
- This speech was groundbreaking in that it seemed to usher in a new era of conversational speechmaking. True, most speechwriters are expert at writing for the ear and not the eye, but Obama’s acceptance speech brought that art to a new level. At points you almost felt as though he was talking to you one-on-one walking down an empty corridor underneath the stadium. Brian Williams on MSNBC in fact made the observation that certain lines seemed as though they could have been written by Aaron Sorkin, creator of The American President and The West Wing. But as conversational as it was, Obama’s speech was not dumbed down. When was the last time you heard a word like “inextricably” in a major political speech? In fact that word reminded me of an episode of The West Wing in which a high-priced political consultant warned President Jeb Bartlett that he shouldn’t use a word in a speech if the average American doesn’t know what it means. Bartlett responded that giving people a reason to grab their dictionary and look it up was actually a good thing.
The Obama speech was clearly the crescendo of this four-day long concert. How well did the rest of the orchestra play? Based on the sheer volume of speech coaching and presentation training we do, I thought it might be fun to have a running scorecard of who was good, who was brutal and why. So here’s my abbreviated list going from best to worst:
1) Hillary Clinton - I’ve never been a huge fan of her oratory skills, or lack thereof, but I have to admit, she hit this one out of the park. She delivered it flawlessly with a good sense of timing. For instance, her line about the logic of Bush and McCain being together in the Twin Cities next week because they’re so hard to tell apart had a comedian’s flair for set-up and payoff. ”The Sisterhood of the Traveling Pant Suits” was another good line, as was “No way, no how, no McCain.” But where Hillary excelled was showing a softer, less-strident side in recalling all the people she met in her campaigning who made a lasting impression on her. She embraced the power of the anecdote and it made that section of her speech memorable. Asking a question that makes your audience do some immediate soul searching can often be an effective tool and last night was no exception. When she asked her supporters, “were you really in this because of me,” she gracefully implied that support based of her personality or gender isn’t good enough.
2) Michele Obama - No one had more pressure on them to demonstrate a “likability factor” than Michelle Obama. The stakes were high and she delivered in impressive fashion. She came across both intelligent and articulate and warm and maternal. The only noticeable flaw was that far too many of her sentences began with “you see,” which after a while stood out as a predictable pattern. But overall, for a potential First Lady, the speech was a home run, only outdone by the expert staging of the virtual family hug in which the adorable Obama children joined their mother on stage to chat with their father via remote.
3) Bill Clinton - Two noticeable absences: excessive discussion of his favorite topic - himself, and the trademark, aw-shucks lip biting. Those were two additions by subtraction in what was otherwise a masterfully delivered “on-message” speech that had to have been greeted at its conclusion by a huge collective sigh by the Obama camp. Getting both Clintons to behave just the way you want them to on this grand a stage is no small feat.
4) Mark Warner - In the negative column, the former Governor of Virginia, now candidate for the U.S. Senate from that same state, sounded like just that - a candidate stumping for himself. The content was thoroughly forgettable, the delivery was one long drone with no peaks and valleys and his annoying habit of quickly licking his lips at the end of each sentence gave him the appearance of an amphibian stalking its next meal. In overall appearance, Warner bears a frightening resemblance to G.D. Spradlin, the actor who portrayed the sleazy, corrupt Nevada Senator in The Godfather - Part II.
I can hardly wait to start this all over again on Monday with the GOP in Minnesota.